

"Diane von Fürstenberg On Wrap Dresses And The Joys Of Aging Gracefully". ^ Miller, Amanda Christine (January 16, 2008).American ingenuity : sportswear, 1930s - 1970s. "The Wrap Star: Why Diane Von Fürstenberg Is Still On A Roll". ^ Grufferman, Barbara Hannah (20 February 2012).Glenn Adamson, Giorgio Riello, Sarah Teasley (1st ed.). Patternmaking for dress design : 9 iconic styles from Empire to cheongsam. The great fashion designers (English ed.). ^ Binkley, Christina (April 27, 2012).Archived from the original on 7 August 2014. Ottoman dress & design in the West : a visual history of cultural exchange. Japanese kimono paper designs : coloring book. Fashion and orientalism : dress, textiles and culture from the 17th to the 21st century. The kimono inspiration : art and art-to-wear in America. Journal of the Korean Society of Costume. "A Comparative Study on the Upper Garment in the Ancient East and West". Hanover: University of New Hampshire Press. Cultures of Femininity in Modern Fashion.

The wrap dress that she designed in 1974 was a design re-interpretation of the Kimono. She has stated that her divorce inspired the design, and also suggested it was created in the spirit of enabling women to enjoy sexual freedom. The Fürstenberg interpretation of the wrap dress, which was consistently knee-length, in a clinging jersey, with long sleeves, was so popular and so distinctive that the style has generally become associated with her. Her design is actually a two-pieces dress where a wrap top is sewn to a skirt, : 105 similar to the making of the Chinese shenyi. For additional information on data processing, and to consult the privacy notice again, please see the dedicated section on the website ( By subscribing you accept our Privacy Policy.1960s wrap dress: the navy bindings highlight the wrap-over.Īlthough it is often claimed that Diane von Fürstenberg 'invented' what is known as the wrap dress in 1972/73, Richard Martin, a former curator of the Costume Institute at the Metropolitan Museum of Art, noted that the form of Fürstenberg's design had already been "deeply embedded into the American designer sportswear tradition," with her choice of elastic, synthetic fabrics distinguishing her work from earlier wrap dresses.
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